Tigers of a Different Stripe: Performing Gender in Dominican Music
Sydney Hutchinson
Published:
2016
Online ISBN:
9780226405636
Print ISBN:
9780226405322
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Sydney Hutchinson
Pages
54–82
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Published:
November 2016
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OXFORD ACADEMIC STYLE
Hutchinson, Sydney, 'Tatico Forever', Tigers of a Different Stripe: Performing Gender in Dominican Music (
CHICAGO STYLE
Hutchinson, Sydney. "Tatico Forever." In Tigers of a Different Stripe: Performing Gender in Dominican Music University of Chicago Press, 2016. Chicago Scholarship Online, 2017. https://doi.org/10.7208/chicago/9780226405636.003.0003.
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Abstract
This chapter analyzes the Dominican masculine roles of hombre serio and tíguere in greater detail through a case study on Tatico Henríquez, the seminal merengue típico accordionist who revolutionized the musical genre before his untimely death in 1976. Through a combination of biography, oral history, lyrical and musical analysis, the author shows that his stardom and continued legendary status are in large part due to his successful bridging of the two masculinities and thus of pre-capitalist and capitalist, rural and urban lifeways. By focusing on the charismatic musician’s embodiment of cultural ideals-particularly relating to gender-in conjunction with the sociohistorical context of emergence and carefully cultivated performer-fan relationships, the chapter also provides a new model of charisma better able to account for star musicians. Tatico became a legend, the author argues, because of the conjunction of the tumultuous time in which he emerged and his particular brand of tigueraje.
Keywords: merengue típico, masculinity, tíguere, tigueraje, hombre serio, gender roles, Tatico Henríquez, charisma
Subject
Ethnomusicology
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